• Tiempo, piedra, insecto
, an inedit piece commissioned by radio Museo Reina Sofía, Madrid, Sept. 2019.
• Clara de Asís music played at NTS radio program Sendspaace, April 2019
• Tapage Nocturne invites Clara de Asís
. Concert and interview (FR) with Bruno Letort, Feb. 2019, Paris.
• Interview au Gmea
, Centre National de Création Musicale – Albi (FR), with Gérôme Blanchard and Didier Aschour, Nov. 2018.
• Clara de Asís’s music featured at Jesse Goin’s Crow with no mouth radio episode #20
, August 2018.
• À l’improviste au Festival Nuit d’Hiver, France Musique
, Clara de Asís & Noël Akchoté / Interview (FR) with Anne Montaron, Dec. 2016.
• Carte Blanche (monograph) Clara de Asís, Radio Grenouille
/ Interview (FR) with Marianne Crousillac. Sept. 2016 .
• Écouter, aimer, disparaître, interview with Didier Aschour
121, Sept. 2019. (FR)
• Interview with Yuko Zama about Without (elsewhere, 2018)
, Nov. 2018.
• Interview with Ismael G. Cabral for Atelier de músicas, El Correo de Andalucía
, June 2018. (ES)
• Interview with Simon Reynell for Another Timbre,
• Video-interview for Musicaelettronica.it
, Firenze (ITA), Feb. 2017.
• Interview with Miguel Copon for Prepared Guitar
, Nov. 2014.
Review by Marc Medwin, Dusted Magazine, Oct. 2018.
Review by Peter Margasak, Bandcamp Daily, Best of Bandcamp Contemporary Classical, Oct. 2018.
Review by Brian Olewnick, Just Outside, Nov. 2018.
Review by John Eyles, All about jazz, Dec. 2018.
Review by Adrián Demoč, Hudobný život, March 2019.
Some words from Kasper T. Toeplitz, Revue & Corrigée, Sept. 2019.
Without included in Steve Smith’s weekly playlist in National Sawdust, Dec. 2018.
• Do Nothing
Review by Marc Medwin, Dusted Magazine, March 2018.
Review by Brian Olewnick, Just Outside, April 2018.
Review by Nathan Thomas, Fluid Radio, April 2018.
Review by Ben Harper, Boring Like a Drill, April 2018.
Review by John Eyles, The Squid’s Hear, August 2018.
Review by Peter Margasak, Chicago Reader, August 2018.
Review by Julian Cowley, The Wire, September 2018.
Review by Grégoire Bressac, Revue & Corrigée, September 2018.
Review by Kasper T. Toeplitz, Ring Modulation #28, Revue & Corrigée, September 2018.
Do Nothing featured at National Sawdust On the Record column, February 2018.
Feature at Luka Zagoričnik’s emission at Radio Študent, Slovenija, April 2018.
Do Nothing included in Bill Meyer’s “Best albums of 2018”, Magnet Magazine, Dec. 2018.
Review by Brian Olewnick in Just Outside, November 2017.
Review by Nathan Thomas in Fluid Audio, April 2017.
Review by Paul Margree in We need no swords, May 2017.
• Appalachian Anatolia, d’incise
Сигма [Syg.ma], by Илья Белоруков [Ilia Belorukov], Nov. 2016.
Boring Like A Drill, “More from the guitar: Sarah Hennies, d’incise, Cristián Alvear, Clara de Asís” by Ben Harper, Dec. 2016.
• Uno todo tres
Сигма [Syg.ma], by Илья Белоруков [Ilia Belorukov], Dec. 2016.
The Sound Projector, review by Stuart Marshall, Nov. 2016.
Revue&Corrigée 108, review by Kasper T. Toeplitz, June 2016.
Igloo Magazine, review by Stephen Fruitman, June 2016.
Chain D.L.K., review by Andrea Piran, June 2016.
Sands-zine, May 2016.
Catalogue Metamkine, Joël Pagier, May 2016.
Some words by Brian Olewnick, May 2015.
• November Concert Diary, about hcmf// 40th edition, Composition Today, Nov 2017
• Yuri Landman, some words about Clara de Asís [ES]
• Martin Klimeš, article about concerts in Czech Republic [CZ]
• Some words about Le Mont Analogue, revue Mouvement [FR]
• A press article about Sons de Plateaux#9 festival, journal Ventilo [FR]
• Concert press at the Fine Arts Museum of Nantes, Haut Parleur magazine [FR]
• NUNUNU review on Avant Music News
• NUNUNU review on The Modern Folk
• Memoryscapes review on Lo demás es ruido [ES]