Sleepless night, 2022. Commissioned by NOR (Luc Döbereiner & Martin Lorenz). — Electronics, crotales.
Distances Bending #, 2021, 2022 ∞. Ever-expanding composition by Clara de Asís & Rebecca Lane.
Empty beach, 2021. Commissioned by Dara string festival. For Susan Alcorn, Mari Sawada and Biliana Voutchkova. — Pedal steel, two violins.
El lugar donde no se espera, 2021. Commissioned by Desclasificados, Madrid. — Open instrumentation.
Quiet book, 2021. Commissioned by EMN Hamburg. — Trombone, double bass, guitar, clarinet.
Comme de loin, 2020. Honoured with a Grant “State Commission” from the Ministry of Culture, France. Commande de l’Etat du Ministère de la Culture, France. / GMEA — Électroacoustique sur support seul.
Nothing has changed everything’s different, 2020. Commissioned by the Helsinki Hiljaisen musiikin konsertti (Quiet music concert series). — Open instrumentation, indeterminate number of performers.
Un día, 2020. For Violeta Mota & Cristián Alvear. Commissioned by Insub. — Flute, guitar.
A passage through, 2020. For Mara Winter. — Bass medieval flute.
Yace alguien, 2020. For a duo with David Lacey. — Percussion, electronics.
De ce côté-ci, 2019. — Guitar, percussion.
Tiempo, piedra, insecto, 2019. — Percussion.
Gravity and horizon, 2019. — Open instrumentation. Commissioned by Sonic Art Research Unit, for Patrick Farmer’s collaborative book Azimuth, the Ecology of an Ear (SARU, 2019).
Comme un souvenir, 2019. A duo with Lauri Hyvärinen. — Two guitars, electronics.
Souvent, 2019. For Heather Frasch, Margareth Kammerer & Seiji Morimoto. — Objects, electric guitar, voice, electronics. Commissioned by Vibrant Matter.
Without, 2018. For Erik Carlson & Greg Stuart. — Violin and percussion.
Do nothing, 2017. — Guitar and percussion.
Everyday less, less everyday, 2017. For Juhani Grönroos, Lauri Hyvärinen, Jukka Kääriäinen & Sigurdur Rögnvaldsson. — Electric guitar quartet.
Excerpts from a selection of scores and related documents. For any inquiries contact me.
